ROMANTIC HUNGARY

     In 1934 a nineteen-year-old adventurer, Patrick Leigh Fermor, crossed Europe from the hook of Holland to Constantinople. He travelled mostly on foot.  He was the same age as my father.  A passage from his beautiful travel memoir, written years later, inspired this blog post.  Fermor wrote, in Between The Woods and The […]

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PAUL AND LÁSZLÓ MOHOLY-NAGY

László Moholy-Nagy was an important person in my father’s life.  Moholy-Nagy or just Moholy as he often called, was one of the key figures of the Bauhaus Movement and School, founded by German architect Walter Gropius.  The Bauhaus ideal was to foster a culture in which ordinary, everyday utilitarian objects, buidings, furniture, textiles, utensils were designed […]

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THE GANG OF 13

My father was part of a group of thirteen Hungarians Jews who had been classmates at the German Technical institute in Brunn. They all immigrated to Bolivia in 1939 and 1940.   They called themselves   “The Gang of 13.” Arriving in La Paz they immediately put into practice their idea of a utopian communist community. They […]

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BOLIVIA’S FIRST MODERNIST BUILDING

I am in possession of two curious drawings made my by father in late 1939. They are cartoon sketches of Pouqui and Mouqui, the love names my parents gave each other. The drawing shows them settled into their apartment in La Paz, Bolivia. Furniture and personal effects are carefully labeled in French. By naming these […]

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THE STRENGTH BEHIND THE BEAUTY: THE WALKER ART CENTER

What is the relationship between architect and structural engineer?  How do they work together?  Architects conceive the form. Engineers are the mediators between the idea of the form and its physical realization in concrete, glass, steel, brick, stone, and wood. As I traverse the country looking at buildings that my father engineered I keep asking: […]

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TWO CHURCHES BY BREUER

Early in 1961 Paul Weidlinger received an urgent call from the architect Marcel Breuer.  Something had gone horribly wrong during the construction of the Abbey Church that Breuer had designed for the community of Benedictine Monks in Collegeville, Minnesota. Breuer, like my father, was Hungarian.   Both were influenced by the Bauhaus Movement and they knew […]

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